The Washington Family at Mount Vernon
This extremely unusual rendering of a domestic scene at Mount Vernon was produced in the 19th century by little-known Dutch artist, Christiaan Julius Lodewijk Portman. The distortion of the Mansion and the landscape as well as the articulation of the figures suggest a composite image drawn from a variety of sources. The work displays a European sensibility, apparent in the costumes and in the little spaniel dog, ubiquitous in European portraiture of the 17th and 18th centuries, and generally symbolic of fidelity. Perhaps the most striking feature is the representation of an African man, presumably enslaved, presenting a rack of tobacco leaves to Washington.
The work is framed in its original lemon (wood)? gilt frame.
SignedIn dark paint at lower proper left corner, “C.J.L. Portman/1857”
Published ReferencesBrunk Auctions, 15-17 NOvember 2013, lot 0509
Klara A. L. Oudendal, Christiaan Julius Lodewijk Portman: Kunstschilder in de Eerste Helft Van de 19E Eeuw, (Utrecht, 2013). (General Reference)
Maurie D. McInnis, “The Most Famous Plantation of All: The Politics of Painting Mount Vernon,” in Angela D. Mack and Stephen G. Hoffius, eds., Landscape of Slavery: The Plantation in American Art (Columbia, SC: University of South Carolina Press, 2008): 86-114. (General Reference)
Hans Rooseboom and Steven Wachlin, “Christiaan Julius Lodewijk Portman,” Depth of Field 18 (October 2001), 34; http://journal.depthoffield.eu/vol18/nr34/f03nl/en_)(General Reference)
Allison Blakely, Blacks in the Dutch World: The Evolution of Racial Imagery in a Modern Society (Bloomington, IN: 1994), 8. (General Reference)
Hugh Honour, The European Vision of America (Cleveland: The Cleveland Museum of Art, 1975). (General Reference)
Gerarda Hermina Marius, Dutch Painting in the Nineteenth Century (London: Alexander Moring Limited [The De La More Press], 1908), 68. (General Reference)