The smooth surfaces of unglazed biscuit porcelain mimic the purity of classical sculpture and made it a fashionable choice for table ornaments in the second half of the eighteenth century. When set atop glittering, mirrored plateaux amid flowers and candelabra, such figures created a fantastic, mythical tableau. George Washington may have purchased this figure during the last weeks of his presidency for use in the "New Room" at Mount Vernon. Pausing after the pursuit, the huntsman may have represented autumn as a part of a larger set of allegorical figures.