George Washington
This portrait of George Washington was made in the late 1790s by Dr. Elisha Cullen Dick, an amateur artist who was one of three attending physicians the night the President died. Dr. Dick copied and adapted his portrait from a pastel portrait by James Sharples. As a visitor to Mount Vernon during Washington’s lifetime, Dr. Dick would have seen the James Sharples pastel of the President made from life in 1796 which was hung in the front parlor, and is now again at Mount Vernon (W-1962). Dr. Dick’s portrait resembles the numerous copies the Sharples family made, which unlike the original, are all oriented to the proper right.
The brown tones in the ground of the painting very from a dark taupe to a warm brown to darkest brown at the outer edges. There is an approximately half inch band of brown paint below the figure at the bottom of the painting. There is an approximately one inch band of what appears to be masking tape wrapped around the edges of the painting, and a foam core backing board.
The simple gilded wood frame is currently removed from the painting.
Published ReferencesJ. Upshur Dennis, “Open Letters: The Last Portrait of Washington, and the Painter of It,” THE CENTURY ILLUSTRATED MONTHLY MAGAZINE, February 1904, 606, 627-629.
“Excerpts from a memoriam for Judge Pearce,” in MARYLAND REPORTS: CASES ADJUDGED IN THE COURT OF APPEALS IN MARYLAND, 1922, 138: 35.
J.D. Sawyer, WASHINGTON, (New York: The MacMillan Company, 1927): 484-485.
OUR TOWN 1749-1865: LIKENESSES OF THIS PLACE AND ITS PEOPLE TAKEN FROM LIFE (Alexandria, VA: Alexandria Association, 1956), 1-2, plate 2.
Smithsonian Institution, PROFILES OF THE TIMES OF JAMES MONROE (Washington, DC: Smithsonian Institution, 1958), 1, 12-13.
Katherine McCook Knox, THE SHARPLES (New York: Kennedy Graphics, Inc., 1972), cat. 48, 67, 90.
John Rhodehamel, THE GREAT EXPERIMENT: GEORGE WASHINGTON AND THE AMERICAN REPUBLIC (New Haven: Yale University Press, 1999), 169.