George Washington
This portrait of George Washington was painted after Gilbert Stuart’s so-called Vaughan portrait, or one of its copies. While the Vaughan portrait was widely copied by Stuart himself and many other nineteenth-century artists, this work is unusual in being cabinet-sized. An inscription gives an early provenance tracing the painting back to Washington himself, who purportedly gave it to a Major Grier, who in turn bequeathed it to an early congressman, Ezekiel Gilbert.
The background is red in the center, particularly near the face at proper left, and at the upper proper left corner, and darkens to oxblood and then brown.
The portrait is housed in a carved gilt wood neoclassical frame with a fillet and beading along its inner edge, followed by two cavettos and a filleted outer edge.
Published ReferencesSecondary sources:
1.) Carrie Rebora Barratt and Ellen G. Miles, GILBERT STUART (New Haven: Yale University Press, 2005). (General Reference)
2.) Lawrence Park, GILBERT STUART: AN ILLUSTRATED DESCRIPTIVE LIST OF HIS WORKS (New York: W.E. Rudge, 1926). (General Reference)
3.) Francis Bernard Heitman, HISTORICAL REGISTER OF OFFICERS OF THE CONTINENTAL ARMY DURING THE WAR OF THE REVOLUTION, APRIL 1775 TO DECEMBER 1783 (Washington, DC: The Rare Book Publishing Company, Inc., 1914).
4.) George C. Mason, THE LIFE AND WORKS OF GILBERT STUART (New York: Charles Scribner, 1879). (General Reference)
MVLA Records:
ANNUAL REPORT: 2015, ---