Martha Washington
In 1796, James Peale painted this likeness of a mature Martha Washington. Twenty-four years, a war, and the loss of her two remaining children had passed since Mrs. Washington sat for Charles Wilson Peale, James' elder brother, in 1772. The similarities between the two brothers' portrait miniatures betray James' training in Charles' studio as well as Mrs. Washington's lifelong resolve "to be cheerful and to be happy in whatever my situation may be." Her plaited hair on the reverse of this case may have been an inclusion requested by Eleanor "Nelly" Custis Lewis, the likely intended recipient of Peale's work.
Gilded copper case with a flexible ring soldered at the top on the reverse; oval glass bezel contains locks of blond hair woven together; a border of scallop and dot- engraved decoration surrounds the bezel.
SignedProper left side: "JP/1796"
Published ReferencesCarol Borchert Cadou, The George Washington Collection: Fine and Decorative Arts at Mount Vernon (New York: Hudson Hills Press, 2006), 260-261.
Ellen G. Miles, George and Martha Washington: Portraits from the Presidential Years (Charlottesville: University Press of Virginia, 1999), 44.
Robert G. Stewart, "Portraits of George and Martha Washington," Antiques 135 (February 1989): 477-478.